Communities of imagination : contemporary Southeast Asian theatres /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Honolulu :
University of Hawaiʻi Press,
[2012]
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Mae Naak and Phra Ram : keeping company on the contemporary Thai stage
- Staging the doi moi generation and the treasures of Vietnamese tradition
- Looking within : the Balinese rwa bhineda and readjusting complementary opposites
- Cambodia : artistic renaissance or a new culture of dependency?
- Singapore's cosmopolitan identity and its theatrical sideshow
- Dancing with the censors : Burmese performing arts keep time
- The Philippine theatre's quest for a hero(ine)
- From Fa Ngoum to hip-hop boom : the faces of Lao performance
- Durians, diversity, and fifty years of independence : Malaysian theatre stages its multiethnic heritage.