The Chican@ hip hop nation politics of a new millennial mestizaje /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
East Lansing :
Michigan State University Press,
2013.
|
| Ráidu: | Latinos in the United States series
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Setting the theoretical context
- Quién es más macho? quién es más mexicano?: Chican@ and Mexican@ identities in rap
- Barrio logos: the sacred and profane word of Chicano emcees
- Identities old and new
- Sonido indígena: Mexica hip-hop and masculine identity
- Paísas, compas, inmigrantes
- Barrio locos: street hop and Amerikan identity
- Mexicanidad, africanidad
- Multiracial macho: Kemo the Blaxican's hip-hop masculinity
- The rap on Chicano/Mexicano and Black masculinity
- "Soy la kalle": radio, reggaetón, and latin@ identity
- Hip-hop and justice
- A hip-hop pedagogy for social justice
- Afterword. Hip-hop and freedom-dreaming in the Mexican diaspora.