John Wayne's world transnational masculinity in the fifties /
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| Κύριος συγγραφέας: | |
|---|---|
| Συγγραφή απο Οργανισμό/Αρχή: | |
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | Αγγλικά |
| Έκδοση: |
Austin :
University of Texas Press,
2013.
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| Έκδοση: | 1st ed. |
| Θέματα: | |
| Διαθέσιμο Online: | An electronic book accessible through the World Wide Web; click to view |
| Ετικέτες: |
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Πίνακας περιεχομένων:
- Introduction: reexamining John Wayne
- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties
- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy
- John Wayne's cold war: mass tourism and the anticommunist crusade
- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers
- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost
- John Wayne's Japan: international production, global trade
- And John Wayne's diplomacy in the Barbarian and the Geisha
- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo
- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.