Remaking Chinese cinema through the prism of Shanghai, Hong Kong, and Hollywood /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Honolulu :
University of Hawaiʻi Press,
c2013.
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| Ráidu: | Critical interventions (Honolulu, Hawaii)
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- The goddess : tracking the "unknown woman" from Hollywood through Shanghai to Hong Kong
- Family resemblance, class conflicts : re-version of the sisterhood singsong drama
- The love parade goes on : western-costume Cantonese opera film and the foreignizing remake
- Mr. Phantom goes to the East : history and its afterlife from Hollywood to Shanghai and Hong Kong
- Conclusion : Mr. Undercover goes global.