Sounding real musicality and American fiction at the turn of the twentieth century /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Tuscaloosa :
University of Alabama Press,
2013.
|
| Rangatū: | Studies in American literary realism and naturalism
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Not just looking: Sister Carrie's musical economy
- Listening to women playing Chopin
- Opera's "impossible country": figuring the American diva
- James Weldon Johnson's ex-colored musician
- Fictions of the American music critic
- Epilogue.