Making a promised land Harlem in twentieth-century photography and film /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New Brunswick, N.J. :
Rutgers University Press,
c2013.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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|
Sisdoallologahallan:
- The era of the new Negro: African American politics and aesthetics in twentieth century Harlem
- African American aesthetics and the city: picturing the Black bourgeoisie in New York
- Heaven and hell in Harlem: urban aesthetics for a renaissance people
- Delinquents in the making: Harlem's representational turn toward "marketable shock"
- Gangster's paradise: drugs and crime in Harlem, from Blaxploitation to New Jack cinema
- Echoes of a renaissance: Harlem's nostalgic turn
- Conclusion: making and re-making a promised land: Harlem's continuing revisions.