Making a promised land Harlem in twentieth-century photography and film /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, N.J. :
Rutgers University Press,
c2013.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The era of the new Negro: African American politics and aesthetics in twentieth century Harlem
- African American aesthetics and the city: picturing the Black bourgeoisie in New York
- Heaven and hell in Harlem: urban aesthetics for a renaissance people
- Delinquents in the making: Harlem's representational turn toward "marketable shock"
- Gangster's paradise: drugs and crime in Harlem, from Blaxploitation to New Jack cinema
- Echoes of a renaissance: Harlem's nostalgic turn
- Conclusion: making and re-making a promised land: Harlem's continuing revisions.