Iconic turns nation and religion in Eastern European cinema since 1989 /
محفوظ في:
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | , |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Leiden ; Boston :
Brill,
2013.
|
| سلاسل: | Central and Eastern Europe, regional perspectives in global context ;
v. 3. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
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|
جدول المحتويات:
- Introduction
- Religion and politics in Soviet and Eastern European cinema: a historical survey / Liliya Berezhnaya and Christian Schmitt
- Institutional Powers. Blessed films: the Russian Orthodox Church and patriotic culture in the 2000s / Hans-Joachim Schlegel
- Russian film premieres in 2010/11: sacralizing national history and nationalizing religion / Steven M. Norris
- A cinematic churchman: metropolitan Andrey Sheptytsky in Oles Yanchuk's Vladyka Andrey / Liliya Berezhnaya
- Sacred and profane images: rethinking history: heroes, saints and martyrs in contemporary Russian cinema. The godless Czechs? cinema, religion and Czech national identity / Eva Binder
- Beyond the surface, beneath the skin: immanence and transcendence in Gyorgi Palfi's films / Jan Culik
- Conflict, trauma, and memory. Narrating the Shoah in Poland: post-1989 movies about Polish-Jewish relations in times of German extermination politics / Christian Schmitt
- Memory, national identity, and the cross: Polish documentary films about the Smolensk plane crash / Maren Roger
- Religion visible and invisible: the case of post-Yugoslav anti-war films / Miroslaw Przylipiak.