Ludics in surrealist theatre and beyond
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Farnham, England ; Burlington, Vt. :
Ashgate,
c2013.
|
| Rangatū: | Ashgate studies in surrealism
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Does surrealist theatre exist?
- The surrealist game "one into another" in Nadja and Les Détraquées: reconstructing André Breton's Ludic dramatic theory
- Staging "mad love" in the théâtre Alfred Garry: Breton's Ludic dramatic theory in practice
- Staging child's play in Roger Vitrac's victor or children in power: between Paidia and Ludus
- Playing with language: Antonin Artaud's Paidia and Robert Wilson's Ludus
- Mimicry and post-surrealist Ludics in Megan Terry's "Theatre of transformations".