Perspectives on Percival Everett
Furkejuvvon:
| Searvvušdahkki: | |
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| Eará dahkkit: | , |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Jackson :
University Press of Mississippi,
2013.
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| Ráidu: | Margaret Walker Alexander series in African American studies
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
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Sisdoallologahallan:
- Introduction: changing the frame, framing the change: the art of Percival Everett / Keith B. Mitchell and Robin G. Vander
- "Knowledge2 + certainty2 = squat2": (re)thinking identity and meaning in Percival Everett's The water cure / Jonathan Dittman
- "This strange juggler's game": forclusion in Percival Everett's I am not Sidney Poitier / Sarah Mantilla Griffin
- Frenzy: framing text to set discourse in a cultural continuum / Ronald Dorris
- The preservationist impulse in Percival Everett's "True romance" / Frederic Dumas
- The mind-body split in American desert: synthesizing Everett's critique of race, religion, and science / Richard Schur
- A bird of a different feather: blues, jazz, and the difficult journey to the self in Percival Everett's Suder / Uzzie Cannon
- "Do you mind if we make Craig Suder white?": from stereotype to cosmopolitan to grotesque in Percival Everett's Suder / Anthony Stewart
- Charting the body: Percival Everett's corporeal landscapes in re: f (gesture) / Sarah Wyman
- When the text becomes the stage: Percival Everett's performance turn in For Her dark skin / Robin G. Vander.