Artistic ambassadors literary and international representation of the new negro era /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Charlottesville :
University of Virginia Press,
2013.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The Negro beat: "distinguished colored men" and their representative characters
- Passing into diplomacy: US Consul James Weldon Johnson and the autobiography of an ex-colored man
- Diplomatic and modern representations: George Washington Ellis, Henry Francis Downing, and the myth of Africa
- Metonymies of absence andpresence: Angelina Weld Grimke's Rachel
- Diplomats but ersatz: the hip-to-matic Pan-Africanismof W. E. B. Du Bois and Ida Gibbs Hunt
- The practice of hip-to-macy in the age of public diplomacy: Richard Wright's Indonesian travels
- Epilogue: hipster diplomacy's fall and Barack Obama's forms of things unknown.