Zimbabwe's cinematic arts language, power, identity /
I tiakina i:
Kaituhi matua: | |
---|---|
Kaituhi rangatōpū: | |
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Bloomington :
Indiana University Press,
2013.
|
Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Cultural identity in discourse
- A crisis of representation
- Cinematic arts before the 2001 Broadcasting Services Act: two decades of trying to build a nation
- Authorship and identities: what makes a film "local"?
- Changing the channel: using the foreign to critique the local
- Power, citizenship, and local content: a critical reading of the Broadcasting Services Act
- Language as a form of social change: public debate in local languages
- Conclusion: Possibilities for democratic change.