Highlife Saturday night popular music and social change in urban Ghana /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
2013.
|
| Rangatū: | African expressive cultures
Ethnomusicology multimedia |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: the historical importance of urban Ghana's Saturday nights
- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940
- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940
- The friction on the floor: negotiating nightlife in Accra, 1940-1960
- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965
- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.