Afro-Cuban costumbrismo from plantations to the slums /
A broad examination of representations of Afro-Cuban religious themes in literature and popular arts, focusing on white authors of Costumbrismo literature represented black culture.
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Gainesville :
University Press of Florida,
2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: nineteenth-century costumbrista writers on the slave trade and on black traditions in Cuba
- Cuban costumbrista portraits of slaves in sugarmills: essays by Anselmo Suárez y Romero
- Juan Francisco Manzano's autobiografía de un esclavo: self-characterization of an urban mulato
- Fino slave
- Urban slaves and freed blacks: black women's objectification and erotic taboos
- The costumbristas' views of manly black males: uppity blacks and thugs
- Depictions of the horrific "unseen": Cuban Creole religious practices
- Conclusion. Costumbrista essays on blacks: nineteenth-century preconceived notions of civility.