Afro-Cuban costumbrismo from plantations to the slums /
A broad examination of representations of Afro-Cuban religious themes in literature and popular arts, focusing on white authors of Costumbrismo literature represented black culture.
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Gainesville :
University Press of Florida,
2012.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: nineteenth-century costumbrista writers on the slave trade and on black traditions in Cuba
- Cuban costumbrista portraits of slaves in sugarmills: essays by Anselmo Suárez y Romero
- Juan Francisco Manzano's autobiografía de un esclavo: self-characterization of an urban mulato
- Fino slave
- Urban slaves and freed blacks: black women's objectification and erotic taboos
- The costumbristas' views of manly black males: uppity blacks and thugs
- Depictions of the horrific "unseen": Cuban Creole religious practices
- Conclusion. Costumbrista essays on blacks: nineteenth-century preconceived notions of civility.