The gun and Irish politics examining national history in Neil Jordan's Michael Collins /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bern, Switzerland ; New York :
Peter Lang,
c2009.
|
| Rangatū: | Reimagining Ireland,
v. 11 |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- The untold story of Irish history
- Films and history
- Cinema and Ireland
- Neil Jordan and the film "like a national institution"
- The soldier : "everything's possible if you wish hard enough"
- 1916 Easter Rising : introducing the characters
- War of Independence
- The good, the bad and the heroic
- Michael Collins : a romantic national hero?
- The statesman : "I signed my death warrant"
- Collins versus De Valera
- The split
- The Civil War and the death of Collins
- Back to the future : a view of the 1990s
- Michael Collins : the lost leader
- Northern Ireland
- Irish national cinema and Hollywood.