Liminal borderlands in Irish literature and culture
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Peter Lang,
2009.
|
| Rangatū: | Reimagining Ireland ;
v. 9 |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Liminal states. Limning the liminal, thinking the threshold: Irish studies? approach to theory / Michael G. O'Sullivan
- Images of migration in Irish film: thinking inside the box / Cheryl Herr
- Liminal narratives. History in/of the borderlands: Emily Lawless and the story of Ireland / Heidi Hansson
- 'The Other' that moves and misleads?: mapping and temporality in Éilís Ní Dhuibhne's The dancer's dancing / Susan Cahill
- Drama as liminal rites of passage. Movement as text: text as movement: the choreographic writing of Samuel Beckett / Lotta P. Einarsson
- Caught in the liminal: Dorothy Cross's Udder series and Marina Carr's By the bog of cats / Risn O'Gorman
- Transformative spaces in contemporary Irish women's poetry. Identity as becoming: polymorphic female identities in contemporary Irish women's poetry / Katarzyna Poloczek
- Land [. . .] to reclaim?: otherworldly encounters in Nuala Ní Dhomhnaill's poetry / Michaela Schrage-Früh
- The (translato) logic of spectrality: Nuala Ní Dhomhnaill and her English doubles / Maryna Romanets.