Opera and video technology and spectatorship /
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bern ; New York :
Peter Lang,
c2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The fairy tale of bel canto : Walt Disney, Theodor Adorno, Kurt Weill play the gramophone / Gabriela Cruz
- Opera on Italian television : the first thirty years, 1954-1984 / Emanuele Senici
- Temps spatialisé : opera relays and the sense of temporality / Delphine Vincent
- Overtures on screen / Gaia Varon
- Playback problems when filming opera for the screen : two case studies / Jaume Radigal
- The opera director's voice : DVD extras and the question of authority / Áine Sheil
- A conversation with Pietro d'Agostino, video director at the Gran Teatre del Liceu
- Composing in new synaesthetic and interdisciplinary spaces : Libro de las estancias (Book of abodes) as a musical, architectural, and visual installation proposal.