What makes a film tick? cinematic affect, materiality and mimetic innervation /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Bern ; New York :
Peter Lang,
c2011.
|
| Sraith: | Film cultures ;
v. 4 |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: a paradigm shift in film studies. "A particular type of film experience"
- A paradigm shift in film studies
- Affect and the feature film
- Cinema and embodied affect
- Precarious boundaries: affect, mise en scène and the senses in Angelopoulos, Balkans epic
- Nowhere to hide: the tumultuous materialism of Lee Myung-Se
- Affect and documentary. But what does the man in the cowboy hat think?
- Intercultural dialogue: silence, taboo and masquerade
- Garin Nugroho: Didong, cinema and the embodiment of politics in cultural form
- The poetics of a potato: documentary that gets under the skin
- "Buddhas made of ice and butter": mimetic visuality, transience and the documentary image.