Orson Welles and the unfinished RKO projects a postmodern perspective /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Carbondale :
Southern Illinois University Press,
c2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Postmodern auteur? Approaches to the unfinished Wellesian works
- Origins of the first-person singular : mercurial theatre on the air
- Classics for the masses : Dickens and Welles
- Exploiters in surroundings not healthy for a white man : primitivism and the identity detour
- R is for Real : documentary fiction in It's all true
- Wellesian legacies : what, if anything, do Mel Gibson, Stephen Colbert, and Steven Spielberg have in common?.