That's all folks? ecocritical readings of American animated features /
"Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That'...
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| مؤلفون آخرون: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Lincoln [Neb.] :
University of Nebraska Press,
c2011.
|
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
جدول المحتويات:
- Introduction: A foundation for contemporary enviro-toons
- Bambi and Mr. Bug Goes to Town: nature with or without us
- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement
- The UPA and the environment: a modernist look at urban nature
- Animation and live action: a demonstration of interdependence?
- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys
- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature
- Dinosaurs return: evolution outplays Disney's binaries
- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie
- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia
- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology
- Conclusion: Animation's movement to green?.