Paul Robeson and the Cold War performance complex race, madness, activism /

I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Perucci, Tony
Kaituhi rangatōpū: ebrary, Inc
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Ann Arbor : University of Michigan Press, 2012.
Rangatū:Theater--theory/text/performance.
Ngā marau:
Urunga tuihono:An electronic book accessible through the World Wide Web; click to view
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • Introduction: the red mask of sanity
  • Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
  • Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
  • Discordant tones and the melody of freedom at Peekskill
  • Anticommunism and the American lynching imagination
  • Shedding blood and beating back fascists
  • Staging anticommunism, staging racist violence
  • Coda: the complex and the rupture.