Shakespeare and contemporary fiction theorizing foundling and lyric plots /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Newark, Del. :
University of Delaware Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Contemporary pasts
- Unraveling mythical order in Caryl Phillips's The nature of blood
- The Irigarayan "third language" in Liz Jensen's Ark baby
- Trapped in the "negative gradient": traumatic dis-membering in W.G. Sebald's Austerlitz
- "These weeping eyes, those seeing tears": the flow of memory from fugitive pieces to Shakespeare
- Shakespearean presents
- Turning gender and plot in The merchant of Venice
- "God me such usage send": Desdemona's lyric response in Othello
- "I am heir to my affection": re-visioning family and love in The winter's tale
- Afterward: the myths redeployed.