Shakespeare and contemporary fiction theorizing foundling and lyric plots /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Newark, Del. :
University of Delaware Press,
2011.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Contemporary pasts
- Unraveling mythical order in Caryl Phillips's The nature of blood
- The Irigarayan "third language" in Liz Jensen's Ark baby
- Trapped in the "negative gradient": traumatic dis-membering in W.G. Sebald's Austerlitz
- "These weeping eyes, those seeing tears": the flow of memory from fugitive pieces to Shakespeare
- Shakespearean presents
- Turning gender and plot in The merchant of Venice
- "God me such usage send": Desdemona's lyric response in Othello
- "I am heir to my affection": re-visioning family and love in The winter's tale
- Afterward: the myths redeployed.