Who hears in Shakespeare? auditory world, stage and screen /
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | , |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Madison,NJ : Lanham, Md. :
Fairleigh Dickinson University Press ; Rowman & Littlefield,
c2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Why was the Globe round? / Andrew Gurr
- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh
- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon
- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl
- Mimetic hearing and meta-hearing in Hamlet / David Bevington
- Hearing and overhearing in The tempest / David Bevington
- Asides and multiple audiences in The merchant of Venice / Anthony Burton
- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith
- Hearing power in Measure for measure / Bernice W. Kliman
- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill
- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard
- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill
- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.