The not so blank "blank page" the politics of narrative and the woman narrator in the eighteenth- and nineteenth-century English novel /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
P. Lang,
c2007.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Locating the female voice : the politics of narrative and the question of "the blank page"
- Concerning leave to speak : Moll Flanders' suit
- Speaking of chastity, virtue, honor : the life of Harriot Stuart written by herself
- The entangled "I" : memoirs of Emma Courtney
- Meaning on the margin : the third-story frame in Jane Eyre
- There's a ghost in it : Esther's Portion of Bleak House
- Babel deferred?.