Juju fission women's alternative fictions from the Sahara, the Kalahari, and the oases in-between /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
P. Lang,
c2007.
|
| Rangatū: | Society and politics in Africa ;
v. 18. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Serendipitous discoveries: the subaltern speaks, African women's writing;
- Voicing from Zimbabwe to Algeria: the office and science of juju
- The state of the African union address: a juju ambiance, the tete-a-tete, and the mimetic
- What the fairy godmother said to the prince: Bessie Head's Maru
- Rumble from the womb of the prison: Nawal el Saadawi's Woman at point zero
- The mouth unbound: a thousand and one African days and nights: Ama Ata Aidoo's Our sister killjoy or Reflections from a black-eyed squint and Changes
- Talking sister, silenced subaltern: Assia Djebar's A sister to Scheherazade
- "Lunatic writing"; the speaking space between the present and the future: Calixthe Beyala's The sun hath looked upon me
- Echoes of a recent past: Yvonne Vera's Nehanda.