Visualities perspectives on contemporary American Indian film and art /
保存先:
| 団体著者: | |
|---|---|
| その他の著者: | |
| フォーマット: | 電子媒体 eBook |
| 言語: | 英語 |
| 出版事項: |
East Lansing :
Michigan State University Press,
c2011.
|
| シリーズ: | American Indian studies series.
|
| 主題: | |
| オンライン･アクセス: | An electronic book accessible through the World Wide Web; click to view |
| タグ: |
タグ追加
タグなし, このレコードへの初めてのタグを付けませんか!
|
目次:
- Introduction: Indigenous visualities
- pt. 1. Indigenous film practices
- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja
- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne
- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst
- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli
- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey
- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper
- pt. 2. Contemporary American Indian art
- Indigenous semiotics and shared modernity / Dean Rader
- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin
- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler
- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.