Visualities perspectives on contemporary American Indian film and art /

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Bibliographic Details
Corporate Author:	ebrary, Inc
Other Authors:	Cummings, Denise K.
Format:	Electronic eBook
Language:	English
Published:	East Lansing : Michigan State University Press, c2011.
Series:	American Indian studies series.
Subjects:	Indian arts > United States. Arts and society > United States. Indians of North America > Intellectual life. Indians of North America > Ethnic identity. Visual communication > United States. Indigenous films > United States. Indians in motion pictures. Indian motion picture producers and directors > United States > Biography. Indian art > United States. Indian artists > United States > Biography. Electronic books.
Online Access:	An electronic book accessible through the World Wide Web; click to view
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Table of Contents:

Introduction: Indigenous visualities
pt. 1. Indigenous film practices
Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja
Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne
Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst
Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli
Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey
Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper
pt. 2. Contemporary American Indian art
Indigenous semiotics and shared modernity / Dean Rader
Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin
Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler
Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.

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