The performing arts in medieval Islam shadow play and popular poetry in Ibn Daniyāl's Mamluk Cairo /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Leiden ; Boston :
Brill,
2012.
|
| Rangatū: | Islamic history and civilization ;
v. 93. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Life as a play. Eye doctor and street buffoon
- Court panegyrist and jester
- Satirist and shadow playwright
- Legacy and controversy. The making of the Arabic shadow play
- The ornament of the poetry
- The many faces of a performer
- The play. The phantom: a shadow play.