American film cycles reframing genres, screening social problems, and defining subcultures /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Austin :
University of Texas Press,
c2011.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: love at first sight
- Real gangsters do cry: a cyclical approach to film genres
- Real gangsters do cry: understanding how film cycles change over time
- I was a teenage film cycle: the relationship between youth subcultures and film cycles
- Not only screen but the projector as well: the relationship between race and film cycles
- Conclusion: love, disdain, and the future of cycle studies.