Horror after 9/11 world of fear, cinema of terror /
Furkejuvvon:
| Searvvušdahkki: | |
|---|---|
| Eará dahkkit: | , |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Austin :
University of Texas Press,
c2011.
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| Preanttus: | 1st ed. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction / Aviva Briefel and Sam J. Miller
- Why horror? Black screens, lost bodies: the cinematic apparatus of 9/11 horror / Laura Frost
- Let's roll: Hollywood takes on 9/11 / Elisabeth Ford
- Transforming horror : David Cronenberg's cinematic gestures after 9/11 / Adam Lowenstein
- Horror looks at itself. Caught on tape? the politics of video in the new torture film / Catherine Zimmer
- Cutting into concepts of "reflectionist" cinema? the saw franchise and puzzles of post-9/11 horror / Matt Hills
- The host versus Cloverfield / Homay King
- "Shop \'til you drop!": consumerism and horror / Aviva Briefel
- Horror in action
- Historicizing the Bush years: politics, horror film, and Francis Lawrence's I am legend / Steffen Hantke
- "I am the devil and I'm here to do the devil's work": Rob Zombie, George W. Bush, and the limits of American freedom / Linnie Blake
- "Forever family" values: Twilight and the modern Mormon vampire / Travis Sutton and Harry M. Benshoff
- Assimilation and the queer monster / Sam J. Miller.