Whiting up whiteface minstrels and stage Europeans in African American performance /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Chapel Hill :
University of North Carolina Press,
c2011.
|
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Introduction : whiting up work
- Liberatory whiteness : early whiteface minstrels, enslaved and free
- Imitation whiteness : James Hewlett's stage Europeans
- Low-down whiteness : a trip to coontown
- Trespassing on whiteness : Negro actors and the Nordic complex
- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama
- White people be like-- : Black solo and racial difference
- Conclusion : problems and possibilities of whiting up.