The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality /
Spremljeno u:
| Glavni autor: | |
|---|---|
| Autor kompanije: | |
| Format: | Elektronički e-knjiga |
| Jezik: | engleski |
| Izdano: |
New York :
Peter Lang,
c2010.
|
| Teme: | |
| Online pristup: | An electronic book accessible through the World Wide Web; click to view |
| Oznake: |
Dodaj oznaku
Bez oznaka, Budi prvi tko označuje ovaj zapis!
|
Sadržaj:
- List of illustrations
- Acknowledgments
- Introduction
- Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji
- The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling
- The arch motive in Italian Renaissance art : its changing meaning in compositional function
- Rembrandt and the Baroque : contained emotion and the hostility of darkness
- French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e)
- Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space
- Notes
- Index.