Real and imagined women in British romanticism
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2010.
|
| Rangatū: | Studies in nineteenth-century British literature ;
v. 27. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Wordsworth, Keats, the possibility of the female voice
- The problem of gender in reason, feeling and sentiment: Mary Wollstonecraft and Edmund Burke
- The problem of gender in beauty, sublimity, and the imagination: Mary Wollstonecraft and Edmund Burke
- Gender and the poet's identity in some of the Lyrical ballads: William Wordsworth
- Gender and history in The prelude: William Wordsworth
- Gender and imagination in "Lamia" and "La belle dame sans merci": John Keats.