The theatre of naturalism disappearing act /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Peter Lang,
c2011.
|
| Sraith: | Currents in comparative Romance languages and literatures ;
v. 185. |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Introduction : ushering in the spectacle
- The mirror stage : Thérèse Raquin (Zola)
- The return of the repressed : Ghosts (Ibsen)
- The nature of the beast : The power of darkness (Tolstoy)
- The dialectic of the master and the slave : Miss Julie (Strindberg)
- The war between the classes : The weavers (Hauptmann)
- In the country of the blind : The lower depths (Gorky)
- A living like any other : Mrs. Warren's profession (Shaw)
- A naturalist symbolism : Riders to the sea (Synge)
- Living history : Chicken soup with barley (Wesker)
- Living theatre : The brig (Brown)
- "Like a neutron bomb of the mind" : a digression on Bernard Stiegler
- On the side of the object : The contractor, The changing room (Storey).