Listening well on Beethoven, Berlioz, and other music criticism in Paris, Boston, and New York, 1764-1890 /
Furkejuvvon:
| Váldodahkki: | |
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| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New York :
P. Lang,
c2009.
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Paris. Chabanon and Chastellux on music and language, 1764-73 ; Lacépède, critical contemporary of Chabanon : divergent perspectives in the music treatises of 1785 ; French revolutionary perspectives on Chabanon's De la musique of 1785 ; Classic and romantic : Berlioz's "Aperçu" (1830) and musical modernity in Paris during the 1820s ; Chrétien Urhan and Beethoven's Ninth symphony in Paris, 1838 ; Literary and musical aspects of the hero's Romance in Berlioz's Benvenuto Cellini, 1838 ; "The harmony of opposites" : characterizing Cellini's apprentice
- Boston and New York. Margaret Fuller on musical life in Boston and in New York, 1841-46 ; American writers on Beethoven, 1838-49 : Dwight, Fuller, Cranch, Story ; Fink, Hach, and Dwight's Beethoven in 1843-44 ; Dwight, transatlantic connections, and the American premiere of Beethoven's Ninth symphony in New York, 1846 ; Presenting Berlioz's music in New York, 1846-90 : Carl Bergmann, Theodore Thomas, Leopold Damrosch.