Listening well on Beethoven, Berlioz, and other music criticism in Paris, Boston, and New York, 1764-1890 /
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
P. Lang,
c2009.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Paris. Chabanon and Chastellux on music and language, 1764-73 ; Lacépède, critical contemporary of Chabanon : divergent perspectives in the music treatises of 1785 ; French revolutionary perspectives on Chabanon's De la musique of 1785 ; Classic and romantic : Berlioz's "Aperçu" (1830) and musical modernity in Paris during the 1820s ; Chrétien Urhan and Beethoven's Ninth symphony in Paris, 1838 ; Literary and musical aspects of the hero's Romance in Berlioz's Benvenuto Cellini, 1838 ; "The harmony of opposites" : characterizing Cellini's apprentice
- Boston and New York. Margaret Fuller on musical life in Boston and in New York, 1841-46 ; American writers on Beethoven, 1838-49 : Dwight, Fuller, Cranch, Story ; Fink, Hach, and Dwight's Beethoven in 1843-44 ; Dwight, transatlantic connections, and the American premiere of Beethoven's Ninth symphony in New York, 1846 ; Presenting Berlioz's music in New York, 1846-90 : Carl Bergmann, Theodore Thomas, Leopold Damrosch.