Approaching the theater of Antonio Buero Vallejo contemporary literary analyses from structuralism to postmodernism /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2010.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The times and their playwright
- Entering the silences of Historia de una escalera
- Las palabras en la arena and En la ardiente oscuridad : structures of the Christian unconscious
- Music and death in En la ardiente oscuridad
- The biblical archetypes of El concierto de San Ovidio
- Music as polyvalent signifier in El concierto de San Ovidio
- El concierto de San Ovidio : deconstructing Western metaphysics and binary logic
- Employing personal intertexts : the alcoholic impresario of El concierto de San Ovidio
- La doble historia del Dr. Valmy : a view from the feminine
- La doble historia del Dr. Valmy as subjective drama
- Freudian fundamentals : life, death, and love in El tragaluz
- From the periphery to the center : the forgotten muñeco of El tragaluz
- El misterio de elche as polysemic intertext
- Philosophy and interpretation : the mercantile modernist versus the situated self in El tragaluz
- The uchronian quest for simple truth in El tragaluz
- Foucault on punishment : power and fear in El sueño de la razón
- Deconstructing the soft bottoms in La fundación
- Jungian psychology : masks of mortals in Diálogo secreto
- Perspectival truth and Buero's controversial premise in Diálogo secreto
- Validating the feminine through art and music in Diálogo secreto
- Misión al pueblo desierto : a cultural study.