Romantic actors and bardolatry performing Shakespeare from Garrick to Kean /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2008.
|
| Rangatū: | Studies in Shakespeare ;
v. 16. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction. Bardolatry and "romantic" actors
- David Garrick: commodifying Shakespeare
- John Philip Kemble: consecrating Shakespeare
- Sarah Siddons: feminizing Shakespeare
- Edmund Kean: ironic icon, transgressive tabula rasa.