Musical theatre, realism and entertainment
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Farnham, England ; Burlington Vt. :
Ashgate,
c2012.
|
| Rangatū: | Ashgate interdisciplinary studies in opera.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Musical characterisation in HMS Pinafore and the Rocky horror show
- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
- Integration and distance in musical theatre : the case of Sweeney Todd
- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
- Illusions of realism in West Side story and actor-musician performances
- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.