Musical theatre, realism and entertainment
保存先:
| 第一著者: | |
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| 団体著者: | |
| フォーマット: | 電子媒体 eBook |
| 言語: | 英語 |
| 出版事項: |
Farnham, England ; Burlington Vt. :
Ashgate,
c2012.
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| シリーズ: | Ashgate interdisciplinary studies in opera.
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| 主題: | |
| オンライン･アクセス: | An electronic book accessible through the World Wide Web; click to view |
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目次:
- Musical characterisation in HMS Pinafore and the Rocky horror show
- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
- Integration and distance in musical theatre : the case of Sweeney Todd
- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
- Illusions of realism in West Side story and actor-musician performances
- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.