Musical theatre, realism and entertainment
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Farnham, England ; Burlington Vt. :
Ashgate,
c2012.
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| سلاسل: | Ashgate interdisciplinary studies in opera.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Musical characterisation in HMS Pinafore and the Rocky horror show
- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
- Integration and distance in musical theatre : the case of Sweeney Todd
- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
- Illusions of realism in West Side story and actor-musician performances
- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.