Semblance and event activist philosophy and the occurrent arts /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Cambridge, Mass. :
MIT Press,
2011.
|
| Rangatū: | Technologies of lived abstraction.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction. Activist philosophy and the occurrent arts
- The ether and your anger toward a speculative pragmatism
- The thinking-feeling of what happens putting the radical back in empiricism
- The diagram as technique of existence ovum of the universe segmented
- Arts of experience, politics of expression In four movements. First movement. To dance a storm
- Second movement. Life unlimited
- Third movement. The paradox of content
- Fourth movement. Composing the political.