Traumatic possessions the body and memory in African American women's writing and performance /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Charlottesville :
University of Virginia Press,
2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- "The quick gasp of sympathy": trauma and interracial witnessing in Sherley Anne Williams's Dessa Rose
- Betrayal trauma and the test of complicity in Suzan-Lori Parks's Venus
- Between women: trauma, witnessing, and the legacy of interracial rape in Robbie Mccauley's Sally's rape
- Uncanny spaces: trauma, cultural memory, and female body in Gayl Jones's Corregidora
- "I have never seen a movie like that": traumatic memory and the "acceleration of history" in Anna Deavere Smith's Twilight: Los Angeles, 1992.