Intertextuality in contemporary African literature looking inward /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lanham, Md. :
Lexington Books,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- When an elephant rustles the bush-
- Is a picture still worth a thousand words? from documentary to investigative realism : Cyprian Ekwensi's Jagua Nana and Flora Nwapa's One is enough
- Lampoon, or the power of savage satire, and the visual object of distaste : Chinua Achebe's A man of the people and Ayi Kwei Armah's The beautyful ones are not yet born
- On the politics of love : Chinua Achebe's No longer at ease and Bessie Head's Maru
- Masking the infrastuctural frame : Christopher Okigbo and his acolytes (Labyrinths' aural and thematic echoes in Okinba Launko's Minted coins and Chimalum Nwankwo's The heart in the womb)
- Conclusion: coming out of shadow : eye on the tradition, looking for consequence.