The right to play oneself looking back on documentary film /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Minneapolis :
University of Minnesota Press,
2011.
|
| Rangatū: | Visible evidence ;
v. 23. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Preface : of pulses, panaceas, and parallel universes
- Why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries (1984)
- Dziga Vertov, 1930s populism, and Three songs of Lenin (1975)
- Bread, water, blood, rifles, planes : documentary imagery of the Spanish Civil War from the North American Popular Front (1990)
- Acting to play oneself : performance in documentary (1990)
- Beyond Vøritø : Emile de Antonio (1977)
- Sufficient virtue, necessary artistry : the shifting challenges of revolutionary documentary history (2006-08)
- Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics (1984)
- Walking on tippy toes : lesbian and gay liberation documentary of the post-stonewall period (1997)
- "Words of command" : cultural and political inflections of direct cinema in Indian independent documentary (1990)
- Joris Ivens and the legacy of committed documentary (1999).