The right to play oneself looking back on documentary film /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Minneapolis :
University of Minnesota Press,
2011.
|
| سلاسل: | Visible evidence ;
v. 23. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
جدول المحتويات:
- Preface : of pulses, panaceas, and parallel universes
- Why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries (1984)
- Dziga Vertov, 1930s populism, and Three songs of Lenin (1975)
- Bread, water, blood, rifles, planes : documentary imagery of the Spanish Civil War from the North American Popular Front (1990)
- Acting to play oneself : performance in documentary (1990)
- Beyond Vøritø : Emile de Antonio (1977)
- Sufficient virtue, necessary artistry : the shifting challenges of revolutionary documentary history (2006-08)
- Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics (1984)
- Walking on tippy toes : lesbian and gay liberation documentary of the post-stonewall period (1997)
- "Words of command" : cultural and political inflections of direct cinema in Indian independent documentary (1990)
- Joris Ivens and the legacy of committed documentary (1999).