Salome's modernity Oscar Wilde and the aesthetics of transgression /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ann Arbor :
University of Michigan Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Dancing on the threshold : Wilde's Salome between symbolist, decadent, and modernist aesthetics
- "The brutal music and the delicate text"? Richard Strauss's operatic modernism in Salome
- Perverts in court : Maud Allan's the vision of Salome and the Pemberton-Billing trial
- Alla Nazimova's Salome : an historical phantasy by Oscar Wilde
- Portraits of the artist as a gay man and Salome as a feminist icon : Wilde and Salome in popular culture since the 1980s.