Jane Campion authorship and personal cinema /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Bloomington [Ind.] :
Indiana University Press,
c2011.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Introduction: authorship, creativity, and personal cinema
- Origins of a problematic: the Campion family
- The "tragic underbelly" of the family: fantasies of transgression in the early films
- Living in the shadow of the family tree: Sweetie
- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table
- Traumas of separation and the encounter with the phallic other: The piano
- The misfortunes of an heiress: The portrait of a lady
- Exacting revenge on "cunt men": Holy smoke as sexual fantasy
- "That which terrifies and attracts simultaneously": Killing daddy in the cut
- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star
- Conclusion: theorizing the personal component of authorship.